Crunch P1-1000.4 125 x 4 @ 4 Ohms, 250 x 4 @ 2 Ohms – 2 x 500 @ 4 Ohms Four-Channel Powerone Amplifiers

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More Mobile Phone Features Added to Mobile Phones-myluxphone

There are many mobile phone features found in today’s mobile phones that offer users many more capabilities than only voice calls or text messaging. The special challenge involved in producing a multi-mode mobile is in finding ways to share the components between the different standards. Obviously, the phone keypad and display should be shared; otherwise it would be hard to treat as one phone. Beyond that, though, there are challenges at each level of integration. How difficult these challenges are depends on the differences between systems. When talking about IS-95/GSM multi-mode phones, for example, or AMPS/IS-95 phones, the base band processing is very different from system to system. This leads to real difficulties in component integration and so to larger phones. Watch Cell Phone and Car cell phone are getting more and more popular.

An interesting special case of multi-mode phones is the WCDMA/GSM phone. The radio interfaces are very different from each other, but mobile to core network messaging has strong similarities, meaning that software sharing is quite easy. Probably more importantly, the WCDMA air interface has been designed with GSM compatibility in mind. It has a special mode of operation, known as punctured mode, in which, instead of transmitting continuously, the mobile is able to stop sending for a short period and try searching for GSM carriers in the area. This mode allows for safe inter-frequency handovers with channel measurements which can only be approximated using “pilot signals” in other CDMA based systems.

A final interesting case is that of mobiles covering the DS-WCDMA and MC-CDMA 3G variants of the CDMA-2000 protocol. Initially, the chip rate of these phones was incompatible. As part of the negotiations related to patents, it was agreed to use compatible chip rates.

As more complex features are added to phones, they become more vulnerable to viruses which exploit weaknesses in these features. Even text messages can be used in attacks by worms and viruses. Advanced phones capable of e-mail can be susceptible to viruses that can multiply by sending messages through a phone’s address book.

Mobile phones used to have proprietary operating system unique only to the manufacturer which had the beneficial effect of making it harder to design a mass attack. However, the rise of software platforms and operating systems shared by many manufacturers such as Java, Microsoft operating systems, Linux, or Symbian OS, may increase the spread of viruses in the future.

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Power Acoustik BAMF1200/4 BAMF Series 4-Channel Die-cast Amplifiers with Mosfet outputs Reviews

Power Acoustik BAMF1200/4 BAMF Series 4-Channel Die-cast Amplifiers with Mosfet outputs

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Modulation

Aim

The aim of digital modulation is to transfer a digital bit stream over an analog passband channel, for example over the public switched telephone network (where a bandpass filter limits the frequency range to between 300 and 3400 Hz), or over a limited radio frequency band.

The aim of analog modulation is to transfer an analog baseband (or lowpass) signal, for example an audio signal or TV signal, over an analog passband channel, for example a limited radio frequency band or a cable TV network channel.

Analog and digital modulation facilitate frequency division multiplexing (FDM), where several low pass information signals are transferred simultaneously over the same shared physical medium, using separate passband channels.

The aim of digital baseband modulation methods, also known as line coding, is to transfer a digital bit stream over a baseband channel, typically a non-filtered copper wire such as a serial bus or a wired local area network.

The aim of pulse modulation methods is to transfer a narrowband analog signal, for example a phone call over a wideband baseband channel or, in some of the schemes, as a bit stream over another digital transmission system.

Analog modulation methods

In analog modulation, the modulation is applied continuously in response to the analog information signal.

A low-frequency message signal (top) may be carried by an AM or FM radio wave.

Common analog modulation techniques are:

Amplitude modulation (AM) (here the amplitude of the carrier signal is varied in accordance to the instantaneous amplitude of the modulating signal)

Double-sideband modulation (DSB)

Double-sideband modulation with unsuppressed carrier (DSB-WC) (used on the AM radio broadcasting band)

Double-sideband suppressed-carrier transmission (DSB-SC)

Double-sideband reduced carrier transmission (DSB-RC)

Single-sideband modulation (SSB, or SSB-AM),

SSB with carrier (SSB-WC)

SSB suppressed carrier modulation (SSB-SC)

Vestigial sideband modulation (VSB, or VSB-AM)

Quadrature amplitude modulation (QAM)

Angle modulation

Frequency modulation (FM) (here the frequency of the carrier signal is varied in accordance to the instantaneous frequency of the modulating signal)

Phase modulation (PM) (here the phase shift of the carrier signal is varied in accordance to the instantaneous phase shift of the modulating signal)

Digital modulation methods

In digital modulation, an analog carrier signal is modulated by a digital bit stream. Digital modulation methods can be considered as digital-to-analog conversion, and the corresponding demodulation or detection as analog-to-digital conversion. The changes in the carrier signal are chosen from a finite number of M alternative symbols (the modulation alphabet).

A simple example: A telephone line is designed for transferring audible sounds, for example tones, and not digital bits (zeros and ones). Computers may however communicate over a telephone line by means of modems, which are representing the digital bits by tones, called symbols. If there are four alternative symbols (corresponding to a musical instrument that can generate four different tones, one at a time), the first symbol may represent the bit sequence 00, the second 01, the third 10 and the fourth 11. If the modem plays a melody consisting of 1000 tones per second, the symbol rate is 1000 symbols/second, or baud. Since each tone represents a message consisting of two digital bits in this example, the bit rate is twice the symbol rate, i.e. 2000 bits per second.

According to one definition of digital signal, the modulated signal is a digital signal, and according to another definition, the modulation is a form of digital-to-analog conversion. Most textbooks would consider digital modulation schemes as a form of digital transmission, synonymous to data transmission; very few would consider it as analog transmission.

Fundamental digital modulation methods

These are the most fundamental digital modulation techniques:

In the case of PSK, a finite number of phases are used.

In the case of FSK, a finite number of frequencies are used.

In the case of ASK, a finite number of amplitudes are used.

In the case of QAM, a finite number of at least two phases, and at least two amplitudes are used.

In QAM, an inphase signal (the I signal, for example a cosine waveform) and a quadrature phase signal (the Q signal, for example a sine wave) are amplitude modulated with a finite number of amplitudes, and summed. It can be seen as a two-channel system, each channel using ASK. The resulting signal is equivalent to a combination of PSK and ASK.

In all of the above methods, each of these phases, frequencies or amplitudes are assigned a unique pattern of binary bits. Usually, each phase, frequency or amplitude encodes an equal number of bits. This number of bits comprises the symbol that is represented by the particular phase.

If the alphabet consists of M = 2N alternative symbols, each symbol represents a message consisting of N bits. If the symbol rate (also known as the baud rate) is fS symbols/second (or baud), the data rate is NfS bit/second.

For example, with an alphabet consisting of 16 alternative symbols, each symbol represents 4 bits. Thus, the data rate is four times the baud rate.

In the case of PSK, ASK or QAM, where the carrier frequency of the modulated signal is constant, the modulation alphabet is often conveniently represented on a constellation diagram, showing the amplitude of the I signal at the x-axis, and the amplitude of the Q signal at the y-axis, for each symbol.

Modulator and detector principles of operation

PSK and ASK, and sometimes also FSK, are often generated and detected using the principle of QAM. The I and Q signals can be combined into a complex-valued signal I+jQ (where j is the imaginary unit). The resulting so called equivalent lowpass signal or equivalent baseband signal is a complex-valued representation of the real-valued modulated physical signal (the so called passband signal or RF signal).

These are the general steps used by the modulator to transmit data:

Group the incoming data bits into codewords, one for each symbol that will be transmitted.

Map the codewords to attributes, for example amplitudes of the I and Q signals (the equivalent low pass signal), or frequency or phase values.

Adapt pulse shaping or some other filtering to limit the bandwidth and form the spectrum of the equivalent low pass signal, typically using digital signal processing.

Perform digital-to-analog conversion (DAC) of the I and Q signals (since today all of the above is normally achieved using digital signal processing, DSP).

Generate a high-frequency sine wave carrier waveform, and perhaps also a cosine quadrature component. Carry out the modulation, for example by multiplying the sine and cosine wave form with the I and Q signals, resulting in that the equivalent low pass signal is frequency shifted into a modulated passband signal or RF signal. Sometimes this is achieved using DSP technology, for example direct digital synthesis using a waveform table, instead of analog signal processing. In that case the above DAC step should be done after this step.

Amplification and analog bandpass filtering to avoid harmonic distortion and periodic spectrum

At the receiver side, the demodulator typically performs:

Bandpass filtering.

Automatic gain control, AGC (to compensate for attenuation, for example fading).

Frequency shifting of the RF signal to the equivalent baseband I and Q signals, or to an intermediate frequency (IF) signal, by multiplying the RF signal with a local oscillator sinewave and cosine wave frequency (see the superheterodyne receiver principle).

Sampling and analog-to-digital conversion (ADC) (Sometimes before or instead of the above point, for example by means of undersampling).

Equalization filtering, for example a matched filter, compensation for multipath propagation, time spreading, phase distortion and frequency selective fading, to avoid intersymbol interference and symbol distortion.

Detection of the amplitudes of the I and Q signals, or the frequency or phase of the IF signal.

Quantization of the amplitudes, frequencies or phases to the nearest allowed symbol values.

Mapping of the quantized amplitudes, frequencies or phases to codewords (bit groups).

Parallel-to-serial conversion of the codewords into a bit stream.

Pass the resultant bit stream on for further processing such as removal of any error-correcting codes.

As is common to all digital communication systems, the design of both the modulator and demodulator must be done simultaneously. Digital modulation schemes are possible because the transmitter-receiver pair have prior knowledge of how data is encoded and represented in the communications system. In all digital communication systems, both the modulator at the transmitter and the demodulator at the receiver are structured so that they perform inverse operations.

Non-coherent modulation methods do not require a receiver reference clock signal that is phase synchronized with the sender carrier wave. In this case, modulation symbols (rather than bits, characters, or data packets) are asynchronously transferred. The opposite is coherent modulation.

List of common digital modulation techniques

The most common digital modulation techniques are:

Phase-shift keying (PSK):

Binary PSK (BPSK), using M=2 symbols

Quadrature PSK (QPSK), using M=4 symbols

8PSK, using M=8 symbols

16PSK, using M=16 symbols

Differential PSK (DPSK)

Differential QPSK (DQPSK)

Offset QPSK (OQPSK)

/4PSK

Frequency-shift keying (FSK):

Audio frequency-shift keying (AFSK)

Multi-frequency shift keying (M-ary FSK or MFSK)

Dual-tone multi-frequency (DTMF)

Continuous-phase frequency-shift keying (CPFSK)

Amplitude-shift keying (ASK)

On-off keying (OOK), the most common ASK form

M-ary vestigial sideband modulation, for example 8VSB

Quadrature amplitude modulation (QAM) – a combination of PSK and ASK:

Polar modulation like QAM a combination of PSK and ASK.[citation needed]

Continuous phase modulation (CPM) methods:

Minimum-shift keying (MSK)

Gaussian minimum-shift keying (GMSK)

Orthogonal frequency-division multiplexing (OFDM) modulation:

discrete multitone (DMT) – including adaptive modulation and bit-loading.

Wavelet modulation

Trellis coded modulation (TCM), also known as trellis modulation

Spread-spectrum techniques:

Direct-sequence spread spectrum (DSSS)

Chirp spread spectrum (CSS) according to IEEE 802.15.4a CSS uses pseudo-stochastic coding

Frequency-hopping spread spectrum (FHSS) applies a special scheme for channel release

MSK and GMSK are particular cases of continuous phase modulation. Indeed, MSK is a particular case of the sub-family of CPM known as continuous-phase frequency-shift keying (CPFSK) which is defined by a rectangular frequency pulse (i.e. a linearly increasing phase pulse) of one symbol-time duration (total response signaling).

OFDM is based on the idea of frequency-division multiplexing (FDM), but is utilized as a digital modulation scheme. The bit stream is split into several parallel data streams, each transferred over its own sub-carrier using some conventional digital modulation scheme. The modulated sub-carriers are summed to form an OFDM signal. OFDM is considered as a modulation technique rather than a multiplex technique, since it transfers one bit stream over one communication channel using one sequence of so-called OFDM symbols. OFDM can be extended to multi-user channel access method in the orthogonal frequency-division multiple access (OFDMA) and multi-carrier code division multiple access (MC-CDMA) schemes, allowing several users to share the same physical medium by giving different sub-carriers or spreading codes to different users.

Of the two kinds of RF power amplifier, switching amplifiers (Class C amplifiers) cost less and use less battery power than linear amplifiers of the same output power. However, they only work with relatively constant-amplitude-modulation signals such as angle modulation (FSK or PSK) and CDMA, but not with QAM and OFDM. Nevertheless, even though switching amplifiers are completely unsuitable for normal QAM constellations, often the QAM modulation principle are used to drive switching amplifiers with these FM and other waveforms, and sometimes QAM demodulators are used to receive the signals put out by these switching amplifiers.

Digital baseband modulation or line coding

Main article: Line code

The term digital baseband modulation (or digital baseband transmission) is synonymous to line codes. These are methods to transfer a digital bit stream over an analog baseband channel (a.k.a. lowpass channel) using a pulse train, i.e. a discrete number of signal levels, by directly modulating the voltage or current on a cable. Common examples are unipolar, non-return-to-zero (NRZ), Manchester and alternate mark inversion (AMI) coding.

Pulse modulation methods

Pulse modulation schemes aim at transferring a narrowband analog signal over an analog baseband channel as a two-level signal by modulating a pulse wave. Some pulse modulation schemes also allow the narrowband analog signal to be transferred as a digital signal (i.e. as a quantized discrete-time signal) with a fixed bit rate, which can be transferred over an underlying digital transmission system, for example some line code. These are not modulation schemes in the conventional sense since they are not channel coding schemes, but should be considered as source coding schemes, and in some cases analog-to-digital conversion techniques.

Analog-over-analog methods:

Pulse-amplitude modulation (PAM)

Pulse-width modulation (PWM)

Pulse-position modulation (PPM)

Analog-over-digital methods:

Pulse-code modulation (PCM)

Differential PCM (DPCM)

Adaptive DPCM (ADPCM)

Delta modulation (DM or -modulation)

Sigma-delta modulation ()

Continuously variable slope delta modulation (CVSDM), also called Adaptive-delta modulation (ADM)

Pulse-density modulation (PDM)

Miscellaneous modulation techniques

The use of on-off keying to transmit Morse code at radio frequencies is known as continuous wave (CW) operation.

Adaptive modulation

Space modulation A method whereby signals are modulated within airspace, such as that used in Instrument landing systems.

See also

Wikimedia Commons has media related to: Modulation

Demodulation

Electrical resonance

Modulation order

Types of radio emissions

Communications channel

Channel access methods

Channel coding

Line code

Telecommunication

Modem

RF modulator

Codec

Ring modulation

References

Please help improve this article by adding reliable references. Unsourced material may be challenged and removed. (June 2008)

Digital Communication, J.R.Barry,E.A.Lee,D.G.Messerschmidt,Kluwer Academic Publishers,2004.

Categories: Telecommunication theory | Radio modulation modes | Physical layer protocolsHidden categories: Articles lacking sources from December 2007 | All articles lacking sources | All articles with unsourced statements | Articles with unsourced statements from October 2008 | Articles needing additional references from June 2008 | All articles needing additional references

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IEC 61290-10-3 Ed. 1.0 b:2003, Optical amplifiers – Test methods – Part 10-3: Multichannel parameters – Probe methods

IEC 61290-10-3 Ed. 1.0 b:2003, Optical amplifiers – Test methods – Part 10-3: Multichannel parameters – Probe methods

Applies to commercially available optical fibre amplifiers (OFAs) using active fibres containing rare-earth dopants. Establishes uniform requirements for accurate and reliable measurements of the multichannel gain and noise parameters as defined in IEC 61292-4.

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There are power ratings on every car stereo amplifier made. Learn tips from our stereo expert on how to read the true power rating on a car stereo amplifier rather than the one stated in this free video clip on stereo systems. Expert: Larry Lundy Bio: Larry Lundy is the general manager of Cartunz motor sports chain located in western Washington. Filmmaker: randy primm
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IEC 61290-10-1 Ed. 1.0 b:2003, Optical amplifiers – Test methods – Part 10-1: Multichannel parameters – Pulse method using an optical switch and optical spectrum analyzer

IEC 61290-10-1 Ed. 1.0 b:2003, Optical amplifiers – Test methods – Part 10-1: Multichannel parameters – Pulse method using an optical switch and optical spectrum analyzer

Applies to optical fibre amplifiers (OFAs) using active fibres, containing rare-earth dopants, currently commercially available. The uniform requirements for accurate and reliable measurements of the signal-spontaneous noise figure as defined in 3.1.18 of IEC 61291-1 are established. The test method independently detects amplified signal power and amplified spontaneous emission (ASE) power by launching optical pulses into the OFA under test and synchronously detecting “on” and “off” levels of th

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IEC 61291-4 Ed. 1.0 b:2003, Optical amplifiers – Part 4: Multichannel applications – Performance specification template Reviews

IEC 61291-4 Ed. 1.0 b:2003, Optical amplifiers – Part 4: Multichannel applications – Performance specification template

Applies to optical amplifier (OA) devices and sub-systems to be used in multichannel applications.The object is to provide a frame for the preparation of product specifications on the performances of OA devices and sub-systems to be used in multichannel applications.

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All About Car Audio Amplifiers

All About Car Audio Amplifiers

When you are on the look out for car audio amplifiers, first you got to know how it functions and what is it used for. The purpose of a car audio amplifier is to convert a low level signal from the source unit to a high level signal for driving the loudspeakers. Amplifiers can range in power from 20 watts to over a thousand watts per channel. And their prices too differ from one amplifier to another depending on their features, quality and power. The most popular type of amplifier is the one with 2 to 4 channels model.


If needed, you can even add extra built-in features to car audio amplifiers whenever required. Some of these extra built-in features may include, crossovers, speaker level units, equalizers, and signal processing. While purchasing an amplifier for your car stereo system, there is one thing you need to take into consideration when it comes to dealing with amplifier power ratings. You should see that all power ratings are not created equal. The true measurement for an amplifier power is the RMS rating or the continuous power ratings.


Quality of the car audio amplifier is very important to take into account when buying the amplifier. But the question is how do you know if it is a high quality amplifier? The good indicator of a quality amplifier will be determined by the weight and the size of the amplifier. The heavier the amplifier the better the quality it will produce. But size is not all that matters


Another indication that you can consider is the quality of the car audio amplifier by the size of the fuse used. There are different classes of amplifier, and a quick and easy way to check the true power output is to take the fuse value of the amplifier or the sum of the multiple fuses and multiply it by 6, if it is an A or B class amps, or 10 for class D amps where the efficiency is higher. Though this will not give you an accurate result, but it will be able to indicate if your car audio amplifier is close to the specifications.


If you have a tight budget or lack of space, the most economical thing to do is to opt for a multi-channel amplifier with the required built-in processor and features that you need. This will save you a lot of money and space, which will in turn allow you to add any extra feature to your car audio amplifier. Though there will be difference in quality compared to the outboard processors but this will not be noticeable. Sometime adding too many components can lessen the chance of noise entering into the system.


To sum out in brief, the key features you need to look into before purchasing a car audio amplifier includes, bridgeable, channels, connectors, class, crossovers, distortion, filters, power output, efficiency, speaker level input, stability, separate gain controls, tube amplifier, tri-mode out put, power supply, pre-amp inputs and outputs. But make sure that you always opt for genuine brands through genuine dealers.

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